Hypnotherapy and Depression

Nearly ten percent of North Americans suffer from depression, or so they are told, no matter what the cause may be. That means that if you look at any random group of ten or more people, at the bus stop, in the lineup at the grocery store, walking down the street or in your workplace, the odds are that at least one of them is suffering from it.

Most depression is addressed with medication, psychotherapy, or a combination of both. There is research to support that combined therapies are more effective than psychopharmacology alone. But what about a fresh approach?

Depression is sometimes described as feeling like being caught in a downward spiral or a vortex. A friend of mine uses the term “catastrophizing” to describe the bleak outlook that depression sometimes presents. There are real symptoms, physical, mental, emotional and spiritual that are repeatedly reinforced through unconscious negative self-talk and negative underlying belief systems. Cognitive behavioral therapy and other psychotherapeutic techniques can help by exploring conscious thoughts and behaviors driven by the negative underlying influences, but they cannot get to the root cause beliefs that keep the cycle of sorrow continuing.

Similarly, medications can provide relief of the symptoms, but that is as far as they can go, not to mention the potential side effects that they bring with them. I never understood those disclaimers on the drug ads that warn that antidepressants can increase the risk of thoughts of suicide until a friend began to take them. She said the only way she could describe it was that they reduce the extreme impact of being so emotionally down by reducing the all extremes. The emotional lows are not so low, but there are no emotional highs either. Life becomes blasé, so the thought of ending life creeps in.

Hypnotherapy provides an alternative approach to looking at root causes. Now although hypnotherapy is not a treatment and does not diagnose or treat any problems with a physical or mental etiology, a hypnotherapist can work with your doctor, counselor or psychotherapist on a referral basis to help you explore what underlies your suffering.

Hypnotherapy can go beyond merely addressing symptoms. In fact, last year, the Wellness Institute, which offers professional training to psychotherapists and counselors in hypnotherapy, identified four significant benefits that hypnotherapy can offer. These closely correspond to my own experience working with people in my training from the Hypnosis Motivation Institute and Atlantic University, so here is my version of them:

1. Uncovering Internal Resources

During hypnotherapy, you can explore your own internal subconscious resources. The role of the hypnotherapist is to help guide you in this exploration and make sure that your own internal resources can remain accessible to you even after the session ends. Accessing internal resources can enhance your coping skills and increase your resiliency, which are two areas battered by being depressed.

Direct access to the subconscious and the superconscious can also enhance your spiritual connection, whatever you conceive that to be, whether you feel that you have reached a higher power or just a higher aspect of yourself. Since being depressed creates feelings of isolation, being able to connect or re-connect with that inner channel to wisdom can be helpful.

2. Going Deep

In the hypnotic state, you directly access your subconscious mind. Being able to access the place that is the source of dreams and phobias under your own control, guided by a hypnotherapist, often allows identification of the underlying negative associations that have become part of the much larger problem. Hypnosis provides a mechanism to safely examine deep emotions and the buried baggage that goes with them.

Integrated Imagery Regression Hypnosis can help you correlate your present situation to earlier experiences, allowing you to understand your own belief system with insights unavailable to the conscious mind. Your situation may not seem logical because it is not. The place that dreams and phobias come from is not a place of logic. The conscious mind is the source of logic and reasoning, and it is only 12% of your mind’s potential. The rest is the unconscious, where inspiration, but also fear and emotion reign supreme. At the very least, gaining some insights into what happened or is happening at a subconscious level can help you become more forgiving of your own younger self and understanding of your present self.

3. Reframing the Negative

If you trace negative beliefs and conclusions safely back to their source, sometimes the subconscious mind will be able to allow a reassessment of the events that have piled so much negativity around them. Like an irritant in an oyster that results in layer upon layer being wrapped around it, the subconscious collects negative associations that emanate from their underlying causes. With a hypnotherapist guiding you, you may be able to apply the wisdom and insight of your present maturity to change the long-standing way that negative associations have been held in your subconscious.

You do not necessarily have to continue to accept those myths of your own emotional making that say that you are alone, unloved, not good enough and so on. This is not just Pollyanna affirmation, this is working inside your own subconscious to help change your underlying belief system for the better. That is what self-improvement is all about and that is what hypnotherapy is for.

4. Rescripting

One of the most powerful aspects of hypnotherapy is that it allows you to rewrite the history of events that you carry within your subconscious. This is not about changing the facts about what happened, but rather about changing your associated emotional attachments and responses to events and emotions. This powerful tool can allow you to re-imagine the circumstances in a more positive way, even subconsciously experiencing the “what if” of a different result to the situation.

Much of our emotional baggage comes from second guessing and regretting how we handled situations and then fearing and doubting our ability to manage similar feelings and situations. The extreme example of this is when we build some unfortunate event that harbors significant negativity in our subconscious into such a powerful force that it can paralyze us with fear, overwhelming the logic of the conscious mind. Powerful emotions, negativity and impact on our day-to-day lives can come from the negative forces within us that help spark the cycle of depression as well.

Being able to revisit, rethink and rework a traumatic event or emotional response within the subconscious that has become so layered with negative associations that it affects our conscious life is a powerful tool indeed. You can address your own needs at a deep and direct level, and reduce the power that those deep wounds carry.

In Conclusion

Hypnotherapy alone does not diagnose or treat depression or any mental or physical illness. However working with your health care provider, a hypnotherapist can help you in ways that psychotherapy and drugs cannot. A holistic approach to mind, body and spirit seems to me to be very appropriate when trying to deal with issues of depression.

References

Amoroso, J. Z. (2012). Awakening Past Lives: A Guidebook to Self Exploration. VA: 4th Dimension Press. Virginia Beach, VA.

McCraty, R. & Childre, D. (2002). The appreciative heart: The psychophysiology of positive emotions and optimal functioning. Boulder Creek, CA: Institute of HeartMath.

Salewski, C. (2015). What’s the best way to treat depression: Medication, psychotherapy, or hypnotherapy? Retrieved from http://web.wellness-institute.org/blog/whats-the-best-way-to-treat-depression-medication-psychotherapy-or-hypnotherapy?

Salisbury, A.F. & Hasegawa, Y. (1995-2005). Transpersonal Hypnotherapy Protocols Workbook. Golden, CO: Transpersonal Hypnotherapy Institute.

Simpson, I. & Robinson, T. (2011-2013). The Simpson Protocol instruction manual: Working interactively in the Esdaile State and beyond. Hempstead, NY: Inner Healing Press.

Woolger, R. (2004). Healing Your Past Lives: Exploring the Many Lives of the Soul. CO: Sounds True.

Patterns around us, Patterns within us

Patterns appear in nature and in creative works.  How do you use patterns?  How can patterns be used?

Patterns are not necessarily visual, they may also be templates for artifacts or activities or patterns of behavior. 

I see patterns in relation to creativity in 3 positive ways:

1. Patterns with which I am familiar and which I try to use in my work. For example, organizing a poetry collection or setting the plot of a novel to follow the "Hero's Journey."

2. Patterns that I had not known before that I discover and that inspire me. For example I saw repeating patterns in sheets of ice on the cliffs along the side of the road, so I had to paint them. Similarly I saw ripples in the moonlit water and painted the scene.

3. Patterns that are more esoteric or sacred to me that more broadly influence my creativity. In regression work and in accessing the superconscious mind, recurring patterns of labyrinths, spheres and points as well as specific ratios and numbers kept coming to me with such regularity that they have become powerful totems for me. I have worked with these patterns by trying to build systems of meaning for myself around them.

When we establish behavioral patterns, rituals or habits in our daily lives, they can be helpful, or they can get in the way of our success.  Modifying unwanted or counter-productive behaviors for self-improvement is what hypnotherapy is all about.  So consider the patterns that you have built in your own life as well as those around you.  Be inspired by the good ones.  Consider why you are carrying the baggage of those that are not so good.

Creative Courage

The characteristics essential to the creative process are those that support the essential elements of curiosity, intention to create, commitment, and risk-taking. All of these elements spring from and are supported by courage and a sense of self-assuredness. These underlying characteristics allow for willingness to change and take risks – what Leland calls “the lubricants” of creativity. It requires courage to try new things and to seek alternatives to habitual thinking. Adults may not fear the monster under the bed, but our fragile egos do fear public humiliation, embarrassment and ridicule, which may be the reception of our creative efforts.

Mitchell and Haroun quote Elmer Bischoff’s four principles for creativity as:

“1. Work hard.

2. Take chances.

3. Respect the validity of your own imagery.

4. Accept the struggle of the creative process.”

This philosophy acknowledges the need for courage and self-assuredness. My personal experiences in my creative efforts certainly have demonstrated to me the need for self-confidence without arrogance and the willingness to overcome our innate resistance to change. The enemy of creativity is the inertia of spirit that gives each of us pause and doubt. Each of us must summon our courage to overcome that inertia.

References

Leland, N. (2006). The new creative artist: A guide to developing your creative spirit. Cincinnati, OH: North Light Books.

May, R. (1975). The courage to create. New York, NY: W.W. Norton & Company Inc.

Mitchell, D. & Haroun, L. (2007). Finding your visual voice: A painter’s guide to developing an artistic style. Cincinnati, OH: North Light Books.

Paine-Clemes, B. (2015). Creative synergy: Using art, science and philosophy to self-actualize your life. Virginia Beach, VA: 4th Dimension Press.

What is Integrated Imagery - Regression Hypnosis?

Integrated Imagery, a technique to aid in psychological and spiritual growth through exploration of the unconscious mind, was developed over twenty years of psychotherapy practice by clinical psychologist John Z. Amoroso, Ph.D. This technique uses a positive psychological approach focused on purposeful living and creativity.  The use of hypnosis to induce a light trance state can help set the concerns of the conscious mind aside by creating a more relaxed condition.  The unconscious mind, which holds the deeper wisdom and guidance of the inner self, can then be more effectively accessed.

Regression hypnosis is an accepted psychotherapeutic technique.  Exploration of the unconscious mind has roots in the work of preeminent psychologist Carl Jung and is widely noted in the premises and theories of transpersonal psychology.  One may refer to the experiences one has in such a session as past life memories, or memories of the collective unconscious, according to one’s personal beliefs. It is not necessary to believe in reincarnation in order to use Integrated Imagery techniques.

Regression hypnosis differs from such techniques as reverie or guided imagery in that it takes the traveler along a time continuum.  The session may lead the traveler to explore earlier present life experiences and may include memories that are not real from the present life.  These memories may be direct communications from the subconscious mind or may represent the birth experience or even further back into previous lifetimes. Through this exploration, clues to current life challenges often unexplained by current life experiences and the preoccupations of the conscious mind can be found.  The unconscious mind guides the traveler to images or incidents that are important or useful to know.

The full participation of the traveler is required during the trance journey. The traveler is never unaware or out of control during the session and verbally works with the guide throughout, as the guide helps the traveler navigate the many stages of the journey. The traveler is recognized as a being of body, mind, and spirit and may find physical, emotional or spiritual connections throughout the journey. 

One of the unique aspects of Dr. Amoroso’s approach to regression hypnosis is what he terms the Energetic Chain of Experience.  This relates to the soul’s stream of consciousness throughout its continuous journey in life, death, birth and the periods in between the life experiences.  His methods seek to also uncover memories of the time the soul spends planning the next life, choosing a life situation, the time spent in-utero prior to birth, and the streams of potential outcomes the soul envisions from a future life experience.

Communicating directly with the subconscious, unlocking memories that have accumulated over the skein of time, discovering the origins of both positive and negative themes that affect personality, and using this information to benefit the traveler’s current life situation is the objective of Integrated Imagery Regression Hypnosis.

Although each lifetime is unique, Integrated Imagery Regression Hypnosis can help unlock greater potential and facilitate growth and healing by accessing subconscious feelings, images and sensations from deep within your present self. The spirit brings forward both positive and negative imprints from former incarnations that may influence the current life. Some examples of positive imprints might be “natural” musical skill, especially strong leadership ability, or an inherent fondness for animals. Examples of negative imprints might include lack of self-esteem, feelings of abandonment, or lack of self-confidence unsubstantiated by present life experiences.

I have completed a Graduate Certificate in Integrated Imagery Regression Hypnosis from Atlantic University as well as certification in Regression Hypnosis through the American Hypnosis Association.  Contact me if you want to discuss a session to help you realize your potential.

A New Year! More on Moss, Dreams and Connections

If you have not read Robert Moss, do so, just to amaze yourself at the connections he can show to your own dreams and personal experience. My dreams shift from those that are reflections of events of the day, to those with deeper meaning happening closer to the time I wake up. My mindfulness practice tends to sometimes allow my mind to wander into seeking the meaning behind what I dream. I was particularly struck by Moss’ description of approaching the ancient Temple of Dream Healing for its similarity to the beginning of Zen training. In seeking to learn from a Zen master, traditionally the student sits outside the monastic gateway and demonstrates that they are truly interested and dedicated to the pursuit of enlightenment until they are noticed and brought inside this “gateless barrier”. In my case this process was metaphorically achieved through an online application and subsequent interview process with a seemingly interminable waiting period. I recall that feeling of anticipation and impatience as I stumble forward through dream quests.

Two years ago, I undertook first degree Reiki training and experienced a confluence of imagery from dreams, and from regression work. During the workshop, after the master had completed my own attunement and moved on to another student, I distinctly felt a fatherly hand upon my head, whether in blessing or reassurance, I am not sure. It reminded me of specific experiences from one of my regressions and led me to a series of images that were so strong that they could have been the remnants of a dream. I subsequently conducted a self-regression and gained further insight into these images. All of this makes me think of Moss’s idea that we “can sometimes meet master teachers” in dreams. A quote by Kekulé reported by Moss seems to be especially true for me: “Let us learn to dream, gentlemen, then perhaps we shall find the truth.”

Keep on dreaming!

References

Amoroso, J. (2012). Awakening past lives. Virginia Beach, VA: 4th Dimension Press.

Hoshin, A. (1992). The bodymind of the way: Zen teachings on Dogen zenji's Shinjin Gakudo. Ottawa, Canada: Manuscript in preparation.

Moss, R. (2009). The secret history of dreaming. Novato, CA: New World Library.

Reed, H. (2005). Dream solutions! dream realizations!: The original dream quest guidebook. Mouth of Wilson, VA: Hermes Home Press.

Shibiyama, Z. (1974). The gateless barrier: Zen comments on the Mumonkan. Boston, MA: Shambhala Publications Inc.

Dreams, Robert Moss and Regression, Wow!

I spent a full year faithfully recording my dreams in a dream journal. Dream journaling yielded many interesting connections to other areas of my life and my studies. Several of my dreams involved going on a journey, several involved various forms of secrets and hiding places and several involved interesting women. Most had great plots and inspired me to include elements of them in the fiction that I write. The settings of most of these dreams have been places like trains and hotels that seem vaguely familiar but more like a composite of places I have actually been rather than any particular real location. In many of the dreams, I was searching for something.

All of this travelling and searching really made me notice passages from Moss’s The Secret History of Dreaming such as where he notes “The map is inside the dream … but to follow it you must become a traveler in two worlds.” Meanwhile, mindfulness meditation seems to dovetail nicely with some of Moss’s remarks such as the comment that “Ayurvedic physicians maintain that we are deluded if we believe we are fully awake and conscious in our everyday lives”. This reminds me when I asked my Zen Dharma teacher about dreams and their place in mindfulness. Her reply was that before I started worrying about awareness in dreams, I had to wake up and become aware of reality. As Moss says, “What we think is reality is a mundane dream”.

My dreams seem to shift from those that are reflections of events of the day, to those that have some sort of deeper meaning or symbolism as the night goes by. It makes me agree with the Dalai Lama’s advice to pay attention only to those dreams that happen “around dawn”. Last year I finished writing a novel based upon a man who becomes obsessed with a vision in a dream and then strives to find the lady of his dreams in the real world. The novel’s structure is modeled upon the Hero’s Journey or the “Monomyth” showing a modern man’s voyage into another world that he is not sure has any basis in reality. The ancient philosopher Sinesius said “dreams show us the future, because dreams are experiences of soul”. An excellent summary of my protagonist’s hope that his dream girl is real.

Moss’s book also references past lives. I have experienced amazing regressions despite my initial reluctance to accept the likelihood that such remembered lives are real. I have made peace with the idea that even if not real, the past life regressions that I have personally experienced and helped guide others through represent direct communication with sources of wisdom within oneself – the subconscious or superconscious mind. Amoroso speaks of finding one’s soul purpose reflected in multiple lifetimes of experiences and I have found some semblance of that purpose for myself through regression work. Jewish mysticism holds that Gabriel is the bringer of dreams and the soul’s knowledge of its destiny. I cannot help but wonder if my dream locations that have vague familiarity are echoes of past experiences that point me to the future.

References

Amoroso, J. (2012). Awakening past lives. Virginia Beach, VA: 4th Dimension Press.

Apostrophe S Productions (Producer). (1988). Joseph Campbell and the power of myth. [DVD]: Available from Mystic Fire Video.

Moss, R. (2009). The secret history of dreaming. Novato, CA: New World Library.

The Dance of Creator and Environment

Some theories of creativity put greater stock on the traits of the individual such as intelligence, personality, talent or genetics and others emphasize the confluence of factors including not only the individual, but also the environment and the field or domain of their creative work (Weisberg, 2006; Paine-Clemes, 2015). Although creativity happens within the environment that surrounds the creative person, I prefer to think that individual and environment are not only the prerequisites to creativity happening, but in fact the very basis of creativity. Our environment is interrelated with us at each moment of our experience. The premise of mindfulness suggests that each moment is an opportunity to truly live. Thus the best model of creativity for me is “the encounter of the intensely conscious human being with his or her world” (May, 1975).

My own creative experiences in work and play support this view.  Whether we shape our environment to support our creative ambitions or whether it surprises us with unexpected inspiration that calls us like a muse to creative acts, the product of individual and environment is what shapes the resulting work. This is most obvious perhaps in a dance partnership, where individual talent contributes along with the music, the partnership and the mood to produce the creative effect. The power of the environment is equally present in all creative work.
There is a lot of discussion around motivations or whether we are driven by innate need or some external reward to be creative (Weisberg, 2006). I think that this too is part of the environment that contributes to shaping the creative work. No matter whether my creative efforts are the product of employment or as part of a hobby, various creative works I have developed, contributed to or witnessed created by others prove this. A holistic view of the interaction we have with our surroundings is essential to consider how and why we are creative.

References

May, R. (1975). The courage to create. New York, NY: W.W. Norton & Company Inc.

Paine-Clemes, B. (2015). Creative synergy: Using art, science and philosophy to self-actualize your life. Virginia Beach, VA: 4th Dimension Press.

Weisberg, R.W. (2006). Creativity: Understanding innovation in problem solving, science, invention and the arts. Hoboken, NJ: John Wiley & Sons Inc.